Selasa, 30 April 2019

Free PDF , by Jennifer Ward

Free PDF , by Jennifer Ward

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, by Jennifer Ward

, by Jennifer Ward


, by Jennifer Ward


Free PDF , by Jennifer Ward

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, by Jennifer Ward

Product details

File Size: 22443 KB

Print Length: 32 pages

Publisher: Two Lions (July 21, 2015)

Publication Date: July 21, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00N58XLLY

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Amazon Best Sellers Rank:

#27,083 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I haven't read it yet to my nieces and nephews, but I've read it myself and found it quite fun. I love the pics, so colorful and so many fun things to discover on each page. The story is cute and senseless, just like the Old Woman Who Swallowed a Fly, but that's what makes it fun! Also helps inspire kids' imagination as you ask them to try to come up with reasons why each item was swallowed. I can remember as a kid my brother and I would go through the Old Woman Who Swallowed a Fly and come up with different reasons while waiting for the bus, giggling as we got crazier and crazier.

I purchased this book, for my niece. I planned on making somewhat of a pre-Halloween day, and thought this would be a fun book to read to her, before we made mummy crafts. I don't think a book has ever been able to hold her attention long enough, to finish it, so when she wanted to read this book again and again, I was pleasantly surprised!The story isn't scary, but at the same time, does have a spooky theme. I like that the lines rhyme, and that while the story isn't complicated, it's still fun enough to not be boring. Very cute.

A delightful tail of a hungry mummy. The things he swallows, oh my.It's a great little story. Read it to a youngster in your family.

My 3 1/2 year old granddaughter got the bog kick out of this book. She even got the hang of the last couple of sentences. A cute take off of the old song "There was an Old Woman who Shallowed a Fly".

My 6-year-old boys really enjoyed reading this book. The illustrations are bright and the extra characters are doing funny things. Reading it out loud is sometimes awkward as it rhymes and then, it doesn't. I always prefer one or the other, not a mix. But the kids don't seem to mind. The ending, though, was just a bit unexpected as it ended without any more mention of what happened to all the things swallowed.

Nice rhyming words and funny illustrations. Felt like it was a little long for a grade schooler though. No throwing up at the end like the old-lady-swallowing-fly-story!

Collect these books for my Granddaughter. We just love reading them together. So funny and great graphics.

My kids love this book! They say it’s the best bedtime story there is! They have it memorized and request it, or more like demand it, to be read daily!

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Minggu, 14 April 2019

Download Ebook , by John Danaher

Download Ebook , by John Danaher

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, by John Danaher

Product details

File Size: 1483 KB

Print Length: 324 pages

Page Numbers Source ISBN: 0262536021

Publisher: The MIT Press (October 6, 2017)

Publication Date: October 6, 2017

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B076DWM22S

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Amazon Best Sellers Rank:

#490,937 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

A lot of the controversial issues discussed in this book (e.g., see Chapter 2) could be eliminated by my conclusion (headline): sex with a robot, an inanimate object built for the purpose of engaging in sexual activity with a human being, is less than having sex with another human, and more than sex with a dildo or vibrator. Chapter 2 in particular concludes that you can have sex (as defined there with respect to human-human sex) with a robot only if the robot could say "no." This robot would not be marketable, we already have enough people who say "no" to sex with us. We want, particularly, someone who won't say no, someone designed to "enjoy" having sex, or, at least, someone who appears to enjoy it, or at the very least, performs it competently.

The promise of AI and robots seems to be growing more real every day. This collection of essays presents a compelling look at how we might think about a life with robots capable of having sex. Indeed it prompts many interesting questions about what exactly is sex, love and what does it mean to be a person. Great read.

An excellent collection of thoughtful and though-provoking essays. Each chapter explores a different aspect of, or issue surrounding, the development and deployment of robots designed for sex with humans. Highly recommended.

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Rabu, 10 April 2019

Download The Farm in the Green Mountains (NYRB Classics), by Alice Herdan-Zuckmayer

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The Farm in the Green Mountains (NYRB Classics), by Alice Herdan-Zuckmayer

The Farm in the Green Mountains (NYRB Classics), by Alice Herdan-Zuckmayer


The Farm in the Green Mountains (NYRB Classics), by Alice Herdan-Zuckmayer


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The Farm in the Green Mountains (NYRB Classics), by Alice Herdan-Zuckmayer

Review

"These literate glimpses of rural America make good stand-alone chapter reads: raising chickens, meeting reticent New England neighbors, marveling at the mysterious USDA pamphlets or the Sears, Roebuck catalog, journeying to the Dartmouth library, etc...This volume will be of special regional and historical interest as well as of general interest in public libraries where anecdotal essays are popular." —Booklist "The Zuckmayers’ courage and strength is an inspiration to all who may be set in unfamiliar surroundings, even in their own country." —Publishers Weekly"The book offers readers an interesting historical perspective of Vermont during the war years, as well as an inspiring narrative on the indomitable human instinct to survive….The contemporary reader will come away feeling inspired by the Zuckmayers’ perseverance and with renewed gratitude for all of the amenities (like heat) which we now take for granted.”  — Jennifer Falvey, Vermont Standard"Part memoir, part diary, part fascinating account of rural life in 1940s Vermont...these are things that haven’t changed at all in the last century in Vermont...The sounds an old post-and-beam farmhouse makes when it gets cold, for instance, or the way the snowplow rattles the windowpanes at 4am...." —Emily Abroad Blog

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About the Author

Alice Herdan-Zuckmayer (1901–1991) was born Alice Henriette Alberta Herdan-Harris von Valbonne und Belmont in Vienna shortly after her parents’ divorce. As a girl, she was a pupil of the radical education reformist Eugenie Schwarzwald and Alice met her first husband, the psychologist and future anti-Nazi leader Karl Frank, through Schwarzwald. Her marriage to Frank was short lived and Alice, now living in Berlin with their daughter Michaela, supported herself by acting and with secretarial work, though she hoped to become a doctor. She met the writer Carl Zuckmayer at a party of actors and artists, and the two married in 1925, the same year Zuckmayer was awarded the Kleist Prize for his play The Merry Vineyard. The next year she gave birth to a second daughter, Maria Winnetou. By 1933 Zuckmayer’s works had been banned and the family moved, first to Austria, and then, in 1938, to Switzerland. They emigrated to the United States with the help of the journalist Dorothy Thompson in 1939. After the success of The Farm in the Green Mountains, Herdan-Zuckmayer published two more memoirs, Das Kästchen (The Box), about her childhood, and Das Scheusal (The Monster), about a dog.Elisa Albert is the author of the novels After Birth and The Book of Dahlia; a short-story collection, How This Night is Different; and the editor of the anthology Freud’s Blind Spot. Her fiction and nonfiction have appeared in various publications, including The New York Times, Tin House, The Guardian, and on NPR. Ida H. Washington taught German literature for many years and, along with her husband, Larry Washington, helped found the German-language program at the University of Massachusetts at Dartmouth. She is the author of Dorothy Canfield Fisher: A Biography and collaborated with her daughter Carol E. Washington on the translation of The Farm in the Green Mountains.

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Product details

Series: NYRB Classics

Paperback: 256 pages

Publisher: NYRB Classics; Main edition (May 2, 2017)

Language: English

ISBN-10: 1681370743

ISBN-13: 978-1681370743

Product Dimensions:

5 x 0.6 x 8 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#383,663 in Books (See Top 100 in Books)

Interesting memories of wealthy artists kicked out of Germany pre WWII. The move from relative aristocracy to farm workers in the US.

Fascinating and informative.

An enjoyable and thought-provoking book about farming and animals from time before the nightmares of industrial farming. A really nice read.

I loved reading about all the things new farmers have to learn and what hard work it was (and I'm sure still is).

Fascinated about her relationship with animals. Have never read anything like this before. So thought provoking.

This is a quiet, thoughtful, and almost relaxing book to read. Comforting in contrast to the tumultuous times we are living in, and especially the tumultuous times it was written during. The book consists of almost instructional details on farming and subsistence living mixed well with some genuinely charming anecdotes and life philosophies. I found Alice Herndan-Zuckermayer’s voice personable and sophisticated with no trace of arrogance, overt self-awareness or an agenda. I should caveat that while I don’t believe the choice to discuss very little of world war II itself is an agenda of omission, some may feel it’s scarcity within these pages suspicious as it is indeed the reason for the Zuckmayer family’s life in Vermont to begin with.It’s tough to recommend this to just anybody though. At some level, if you have any interest in these people or this area of the world, or an interest in farming, you’ll probably enjoy this book a great deal. If you are coming for a more memoire of how we survived the war type story, I think you’ll be bored and should look elsewhere. Despite being well written, funny, and insightful, there are definitely long asides that didn’t interest me, and sections that decay almost into lists. This is a two star book with several strong five star sections. In fact, when I finished this and handed it to my wife to read, she was shocked to hear my final conclusion. Based on several of the amazing passages I had read aloud to her, she was expecting rave reviews. In truth, if one read only the chapters on the animals, the rats, and the library, and some select passages on Drude and the party line, one would assume this to easily be one of the finest books ever. But, like in life, and certainly in Alice’s life, there are long stretches where not a lot of interesting stuff happens, and perhaps its only fair to give it equal space.Finally though, I must give this strong three and a half star book that final half star for the last chapter and epilogue, as these are actually two versions of the last chapter. These final pages should be studied in every writing class. They are so dissimilar narratively in that one is written much earlier and is a fantasy of returning to the farm, and the other is the actuality of returning, written much later. Some of the passages however are nearly verbatim in both. The tone is subtly dissimilar, still masterfully capturing the melancholic awareness that you can never really go back, but from such dramatically different perspectives. Even more jarring in reading these final two endings is the retrospective awareness it gives you into how carefully constructed the entire narrative has been. There is throughout the book a feeling of reading the words over Alice’s shoulder as she writes, but this couldn’t be further from the truth. She is in fact a craftswoman of considerable skill, which makes the book that much more impressive upon contemplation.Afterword: skip the intro. It’s pugnacious and arrogant, and even worse, does a terrible job introducing the book. The tone is opposite that of the material and locks what could be viewed as a timeless text into a specific time and place. If you are a completionist, I recommend reading it after the book. It does reference some passages you may want to return to and is functional in that sense as an afterword.

This is a perfectly charming and delightful book, free of artifice, guile and pretense. The author's lover of the farm, the community, Vermont and Vermonters shines through on every page. As someone who loves my country, despite my distress at its recent choice of president, it is refreshing to encounter an European "urbane sophisticate", as described in the introduction, whose love for our country is unaffected, unabashed and in no way condescending. I cannot help but think of how her attitude contrasts with that of the expatriate, Donna Leon, who expresses nothing but sneering contempt for all things American.Once again, NYRB classics comes through with not only a wonderfully produced book, but with a great read as well.

For lovers of Shirley Jackson and history buffs, an unusual WWII memoir about farm life in Vermont for German refugees.

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Rabu, 03 April 2019

Free PDF Escaping From Houdini (Stalking Jack the Ripper), by Kerri Maniscalco

Free PDF Escaping From Houdini (Stalking Jack the Ripper), by Kerri Maniscalco

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Escaping From Houdini (Stalking Jack the Ripper), by Kerri Maniscalco

Escaping From Houdini (Stalking Jack the Ripper), by Kerri Maniscalco


Escaping From Houdini (Stalking Jack the Ripper), by Kerri Maniscalco


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Escaping From Houdini (Stalking Jack the Ripper), by Kerri Maniscalco

Review

Praise for Escaping from Houdini:"Audrey Rose is a witty, resourceful feminist who refuses to bow to Victorian-era gender norms. This dark, gothic landscape is peopled with nuanced, diverse characters who keep readers enthralled. A gripping mystery with a compelling heroine and just the right touch of romance."―Kirkus"Every sentence of this novel drips with decadence. The settings and Midnight Carnival performances are lush yet dangerous, beautiful yet terrifying. It was easy to understand just how Audrey Rose comes to be so enthralled with the Midnight Carnival and the performers because, as readers, we're put under the same exact spell.... Masterfully crafted."―Hypable"Maniscalco's winning combinations of historical fiction, romance, forensics, and a feisty heroine will attract historical-fiction and romance readers....Well-placed hooks advance the plot and sustain the swift pace."―Booklist"Displaying her usual fierce determination and progressive ideals, Audrey Rose is once again a compelling protagonist. Another delightfully mysterious addition to the series."―School Library Journal"Young adult readers of crime novels will thrill to Maniscalco's labyrinthine plot and the gruesome secrets it reveals. And yet Escaping from Houdini is also a love story, one in which Audrey Rose's love for the charming and stalwart Thomas is tested by the exhilarating freedom represented by Mephistopheles's unorthodox lifestyle. As one member of the Moonlight Carnival muses, 'Normal is boring. Extraordinary is memorable.' Like-minded readers will find Maniscalco's latest foray into nineteenth-century forensic investigation anything but boring."―Chapter16.orgPraise for Stalking Jack the Ripper:A #1 New York Times Bestseller from its first week! "An entertaining debut full of twists and turns, perfect for fans of historical fiction and mystery." --- School Library Journal"Maniscalco has created a serious, sharp-minded, and forward-thinking protagonist in Audrey Rose, whose fearlessness will endear her to readers looking for an engaging historical thriller. Abundant red herrings and a dash of romance round out this gruesome but engrossing story." --- Publisher's Weekly*"This audiobook has everything: a true-life tale that has intrigued readers for 100-plus years, a young woman who balks at the constraints put upon women during the Victorian era, a marvelous yet somewhat gruesome mystery, and a narrator who brings you down into Spitalfields as Jack the Ripper earns his name. A must-have."---School Library Journal (*starred review*)

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About the Author

p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Times} span.s1 {font: 14.0px Calibri} Kerri Maniscalco grew up in a semi-haunted house outside New York City, where her fascination with gothic settings began. In her spare time she reads everything she can get her hands on, cooks all kinds of food with her family and friends, and drinks entirely too much tea while discussing life's finer points with her cats. She is the author of the New York Times bestselling novels Stalking Jack the Ripper and Hunting Prince Dracula.

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Product details

Series: Stalking Jack the Ripper (Book 3)

Paperback: 448 pages

Publisher: jimmy patterson; Reprint edition (August 27, 2019)

Language: English

ISBN-10: 0316551724

ISBN-13: 978-0316551724

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Average Customer Review:

4.6 out of 5 stars

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Be warned there are minor spoilers ahead. Sigh, I have been a huge fan of the Stalking Jack the Ripper series and I was beyond excited to read this book, Escaping From Houdini! The story started off perfectly, Audrey and Thomas were off on another grand adventure and their relationship had also deepened. In addition, the setting was wonderfully tantalizing with its mysteriousness and intriguing characters, I was delighted! The mystery behind the murders was very complex although the motivation was as old as time. There was so much to delight the senses so why was I disappointed?Why would the author decided to take such an amazing duo as Audrey and Thomas, a duo by the way that I have been desperately rooting for since book one, and drive a wedge between them? Ok, I could see them having a conflict over points of view or over personal issues but to take a team that I love and drive a freaking love triangle between them?! I hate love triangles on any given day but this felt like a betrayal to me. I was definitely on team Thomas in this book and spent most of it with open disdain for all the scenes with Audrey and Mephistopheles, which ended up being a majority of the book. So frustrating!I was mostly frustrated with the love triangle but there were some exciting parts of the story and I liked the inclusion of Houdini’s character. It is always fun when historical figures are incorporated into a story. The ending left me with mixed feelings and I can’t say that I am excited about Audrey. I think she has a better understanding of herself and learned a valuable lesson that many people actually learn in life about getting in over your head. I just hope that she learns to communicate better in the next book because a lot could have been avoided if she just thought things through. Sorry, I know this is more of a rant but this book really pushed my buttons, ha ha ha.

This took me a bit to get invested, partially because I kept waiting for Houdini, who was really a minor character. We didn’t get to see much of him and historically this would have been in his early career. As always, Kerri Maniscalco did an excellent job with research and her descriptions of Mephistopheles’s carnival were outstanding. She painted the picture well. The love story remains a slow burn, but Audrey Rose and Thomas are as loveable as ever.The character that really caught my attention, and heart, was Mephistopheles. I adore Thomas Cresswell, I really do, but the addition of a potential new suitor!!! Mephistopheles was like Thomas 2.0, this time with a flair for flamboyancy, magic engineering, and exceptional suits (and a hint at bisexuality?) His speeches won me over (the outcasts tend to win my heart instantly). Thomas may be Audrey Rose’s partner and equal, but she will still be performing along to societal norms. Mephistopheles represented a whole new world outside the rules. As a character, I loved his push-and-pull relationship with Audrey Rose and urging her to think outside of the cage to find out what she really wants, as well as his cocky rivalry with Thomas. I hope this isn’t the last time we see him because he was an excellent character. Ultimately, he made a 4-star story into a 5!

We’ve stalked Jack the Ripper through London and hunted for the infamous Dracula. We’ve swooned and sighed over dead bodies and Thomas Cresswell alike. Now it’s time to venture across the Atlantic with the Moonlight Carnival for a week of thrills and chills!As the third installment of one of my favorite young adult series, I was beyond excited for Escaping from Houdini. Especially considering a traveling carnival is the main focus this time around and I’m all about those carnival/circus books!Disclaimer: This review is of the ARC copy of this book. The final version has a different ending and additional pages and content that I can’t compare to until release but will edit this review once I read the final copy!Perhaps it was the lengthy time between books 2 and 3 (no more than other series, but I’ve read a lot of other books in between) or just this book, but Escaping from Houdini lacked that initial hook that I’ve come to expect of this series. It’s easily one of the only historical mystery series I’ve read and enjoyed in the YA genre which also means my expectations tend to be fairly high.I’ve loved Audrey Rose’s character from the start. She’s a woman with a mind of her own, dissecting bodies and hunting down killers one day and taking tea with her friends the next. The contrast is entertaining and I love her wit and snark. But something felt missing in EFH. She didn’t seem fully herself, if that makes sense. Beyond the whole murder mystery, her internal conflict seemed to move in a circle much like in the past books. I had hoped that she would finally settle on Cresswell and the romantic tension would take on a different role in this book and the next, but I felt like it came back to the same place it was in book 2. But this may also change in the final copy as some of my thoughts here also reflect the ARC ending.On that note, I could have done without the weird love triangle. But I’m also not a fan of romances being dragged out through this many books so there’s that as well.But like the first installments of this series, Escaping from Houdini didn’t fail to captivate me. At times, I grew a bit distant from the story due to more telling than showing (and yes, there’s a time/place for telling but in this case it pulled me out of the world). Maniscalco knows how to spin an intriguing murder mystery, keeping you on your toes from start to finish. And you can guess the culprit all you want but there was always something that came as a surprise no matter my guessing. I devoured this book in one night because I needed to know who did it!The added element of the Moonlight Carnival, a show combining magic and thrills, really brought this world to life. I wanted to know if the carnival (or something similar) existed at this point in history, and if Houdini was a part of any of it. I was a bit surprised that Houdini didn’t play as big a role as I expected in this book, based on the title, but I liked how the new characters fleshed out the cast a bit more.So despite a few elements of the book (that very well may change between the ARC and final copy), Escaping from Houdini is another solid installment in the Stalking Jack the Ripper series. I would definitely recommend reading this series if you like famous historical figured combined with morbid mystery and an entertaining cast. I only wish EFH featured more of Thomas Cresswell because. . . well, do I really need a reason?

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